WOODLAND SERIES #2

The work evolves in a way that pulls between consciousness and unconsciousness. Borrowing from forms that already exist, I set up a system that allows me to compose or to edit in order to establish an altered dimension. Beginning with the forest and my journey through it, it is key that I gather marks from what is true, keeping myself in check with the limitations of material and ritual. Nevertheless I allow the conscious marks to appear, alter placement and obscure or erase to encourage a dialogue within the framework. I hope to create a language of marks that are not necessarily known but may be located on the periphery of reasoning.