Bachelard describes the daydream as being a philosophical category of immensity. It contemplates ‘grandeur’, and transports the dreamer outside the immediate world to a world that bears the marks of infinity. This series of drawings focuses on a contingent transference of trace. Each one hopes to create an outcome that alludes to the vastness of the encounter with a landscape that has no edges nor horizon. Losing oneself in the map-like marks of line and shadow, the work aspires to conjure a memory of ‘something else’.